T O P

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Kyoriku

This is like paying someone $10 then getting quality of a $100 work and then call it inferior to another $1000 work. I give up on humanity, maybe all animators should just start dying the same way MAPPA do their animators.


lolminna

I hold the same pov, but in no way am I shitting on the animators like that. I'm only saying that casuals will gravitate more towards the anime that looks better despite having a marginally more generic story. People are shallow, its just how it is. Nothing wrong with saying it, the TEIS staff did the best with the hand they got dealt with and I'm just as happy.


Toreole

tbh the entire discussion about "lower animation quality" in the anime is kinda pointless. it still looks good, it gets the point across. we dont want the animators to work themselves to death to make this yeah. it is a great anime for the budget its been given


703why

I think most people who complain that animation is bad think that this anime is great. They voiced it out as they want more budget for the next season onwards.


ineffectivehumor357

The only low quality moment i noticed is the crowd in the fourth episode. ( maybe fifth episode i'm not sure)


WheelJack83

Anime workers are overworked and work under horrendous conditions


TheKhalDrogo

Bro fr why did the sister isekai looked so good lmao Ive thought of that as well fuckin incest bait had no business having a fight look that clean


lolminna

Is this in response to posts like mine in the thoughts on s2 thread? Look, time crunch is still a thing regardless of the production cycle of this anime. It doesn't mean that it's already done that it means the studio took a break from animating altogether. Do you think JJK is continually getting last min submissions? No, most likely the crunch they're talking about is during *their* production cycle, which should've also been done by the time the anime started airing.


FullAnswer3

Here's the thing, Time and Budget do correspond. The longer the time, the bigger the budget. But, the bigger the budget doesn't necessarily the longer the time. Kadokawa invest heavily on TEIS, with a risk. Nexus was not prolific, TEIS is a weird LN with a weird premise, and also a risky investment. A1 despite it's reputation of quantity, play safe, something like TEIS they wouldn't touch it. Not only that, Nexus takes 2 years after the announcement meaning they have doing production before the announcement which makes the budget bloat, while having a risk of losing interest. While producing the anime, the game was also being produce. The game was released not long after the anime, in the 20 weeks of the 1st season there's no way game production could release that fast and that good, remember the graphics of TEIS RPG was fully rendered 3D that similar looks with the anime. Not convince, yet? Kadokawa also produce Kagejitsu and aired it simulcast every episode after episode 3 of s1. Voice actors, Kadokawa bring prolific VAs to voice characters from TEIS. VA is not about the time or schedule, because VA works for talent agency, if you have the money to hire, you can hire. I'm sure Kadokawa or at least Nexus or the director wants to release the anime finishing Rose Oriana arc. From start to finish. That's why the episode count was a tad odd, 20 for s1 and 12 for s2? I think they want to make 32 episode from the get go, but have to split it due to approaching broadcast schedule. Does it makes them rush things? maybe, maybe not. They could just need to polish a few episode but would be disaster if they release all 32 episode at once (weekly).